Archive for the 'TuneTalk' Category

RUSH Facebook de-Faced

TuneTalk

So this is still a bit of a mystery, but its obvious that somehow someone has managed to get hold of the login account for the RUSH (the band) Facebook page. I first noticed strangeness yesterday, but it reared its head again today so I took a couple snapshots. I’m pretty sure we’re dealing with the official Facebook page for the band because it’s linked off the official RUSH website, but it’s possible of course that the official page has been hacked and they replaced the link with one they control. The defacement thats been done is pretty lame – if I stolen the account I’m sure I’d be able to come up with something a tad funnier like a post about Geddy getting his vocal chords surgically shortened so he could sing all the good tunes again.
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Some poetry: After the Battle

AncientHistory TuneTalk

I’ve never been an avid reader of poetry, though I have read some and I’m even friends with some published poets. I see poetry as the very heart and soul of any good song. I like songs that tell a story, and while I find I really enjoy prose stories, the craft of condensing a tale into a few short verses (with meter and rhyming to boot!) is certainly one I can admire. I took a quick look into the work of some Irish poets on lunch today and very soon found an example of a poem I liked. This one is by Thomas Moore who lived from 1779-1852 and is probably better known for another poem of his – The Minstrel Boy. I’m also a big fan of instrumental music (no words), of course.

Night closed around the conqueror’s way,
And lightnings show’d the distant hill,
Where those who lost that dreadful day
Stood few and faint, but fearless still.
The soldier’s hope, the patriot’s zeal,
For ever dimm’d, for ever crost –
Oh! who shall say what heroes feel,
When all but life and honour’s lost?

The last sad hour of freedom’s dream,
And valour’s task, moved slowly by,
While mute they watch’d, till morning’s beam
Should rise and give them light to die.
There’s yet a world, where souls are free,
Where tyrants taint not nature’s bliss; –
If death that world’s bright opening be,
Oh! who would live a slave in this?

True tempered guitar necks

TuneTalk

Last year I posted here about why its not really possible to get a guitar in tune. I heard from a friend today about tru-temperment fret boards which may actually make it possible! Some anecdotal posts in guitar forums indicate that you can play barre chords all the way up the neck with one of these and remain perfectly in tune.
tru-temper-frets

In (somewhat related) readings during lunch today I also found this site and I remembered another conversation with some friends recently about the difference between a 440Hz A and 442Hz A. Can you hear the difference between 440Hz and 442Hz?
http://www.tedrounds.com/mp3_files/A440.mp3
http://www.tedrounds.com/mp3_files/A442.mp3

Even if you can’t discriminate the difference between them when playing them one after another, if you play them simultaneously you’ll notice the interference pattern (listen for a waa waa waa sound). This is another way I was taught to tune an electric guitar – while playing a harmonic note on the 12th fret of the lower string, play a harmonic on the 5th fret of the higher string and listen for the interference pattern and tune until the waa waa slows down and disappears. (I’m not at a guitar right now and while my fingers would remember the right frets, my mind doesn’t so if thats not right please correct).

last.fm – a facebook for music lovers?

Linux TuneTalk

I realize I’m late to the party about last.fm, but I only decided to check it out recently. last.fm is a web 2.0 social networking site for folks that listen to a lot of music on their computer. I definitely fall into this category, in fact it’s the primary way I listen to music – I haven’t even owned a stereo in many years. The benefits of last.fm (a CBS owned site) only become apparent once you begin to publish some of the things you like listening to to it…
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Marshall AS50D in my future

TuneTalk

I’ve been looking into getting a new amp to replace the old Peavey Backstage Plus that I’ve been “making do” with for almost 20 years. The old 35W Peavey looks like a 1987 model. I got it from my brother for pretty cheap sometime around then, and a few years back I replaced the original speaker with a 9″ Pyle Driver, but it worked well for a looong time.

1987 Peavey Backstage Plus

Recently I’ve been getting some buzzing sounds from it and the knobs need a serious dose of tuna-lube, and I decided it was finally time to retire it.

The hunt
I started looking for amps a couple months back and got some really good information from my buddy Todd of the Trespassengers and I immediately ignored it all. Well, that’s not true, as you’ll see. One of the things he suggested was that I look at the Mackie SRM450s which I did.
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